In a housing project, an abandoned tower fuels rumors. As strange disappearances multiply, five young people have no choice but to enter once again. Trapped in a deadly snare, they will soon realize that escaping will be impossible…
五个大学死党聚在家中准备一起欢度跨年夜，窝在家里跨年的他们，丝毫不知道外面的世界正面临灾变，不知名的病毒疫情四处爆发，等到他们察觉到时，这个屋子已经变成了幸存者的最后孤岛！五人决定死守家中，试图透过电脑或手机取得对外联系，并从网络的只字片语中找到疫情源头。长时间待在压力锅般的密闭空间，心焦气燥的众人濒临崩溃边缘。究竟谁可以信任？谁又是带原者？随着他们慢慢发现病毒的来源，彼此的信任也逐渐崩坏……
杰克?金伯勒（Matthew Knight 饰）一家的血腥灭门惨案轰动全芝加哥，而杰克本人也在严密监视的精神病院近乎病房中被残忍杀害。从此，金伯勒家所在的公寓成为全城闻名的凶宅，住户纷纷搬离此地。只有公寓管理员麦克斯（Gil McKinney 饰）和他的妹妹萝丝（Jadie Hobson 饰）、侄女丽莎（Johanna Braddy 饰）坚持住在这里。年幼多病的萝丝似乎能够看到那名面色惨白的男孩，麦克斯的状态也变得越来越怪。 加耶子的妹妹直子（Emi Ikehata 饰）通过报纸来到这座公寓，她知道加耶子的怨念还没有终结，这个恶灵新的杀戮才刚刚开始……
Desperate to reconnect with his wife and son after a violent attack leaves them fear-stricken and traumatized, a father moves his family to a sleepy New England town and finds himself in a fight against supernatural forces hell-bent on tearing them apart.
15岁的艾利克斯来自一个天主教家庭，他希望自己将来能成为一个牧师。当他无意中发现并打开了一个神秘的盒子之后，放出了一个一心要占据他身体的恶魔。艾利克斯必须找到办法打败这个一直在折磨儿童的古老的恶魔，否则将会毁掉他和所有他爱的人。
从南宋至今700多年后,高诚一行人出海寻找载有无数宝贝离奇消失的"飓风号"商船,却进入了神秘岛屿上的原始部落，遭遇异形生物群体追杀吞噬，巨型卵蛋孵化异形幼息，众人几番死里逃生后找到古船宝藏时却再次被异形生物围攻，无路可逃。
2021年2月12日，玛雅和安迪在婚后刚搬进新家开始新生活就开始经历一些奇怪的事情：房子出现动物尸体，屋顶上神秘的掉落声等等。随后不久安迪开始生病做噩梦并出现幻觉，最后无法站立或行走，当时已经怀孕的玛雅不得不照顾安迪。她寻求各种医疗和替代疗法来医治他，但安迪的病情持续恶化，两人的生命都受到了某种威胁。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
