威尔第的著名歌剧《麦克白》再次准备公演，因为一次意外，主演的机会幸运的降临在了年轻的女歌手贝蒂的身上，虽然传说中只要上演《麦克白》就会带来噩运，但是面对成名的渴望，贝蒂最终还是站上了舞台，但是，谣言中的诅咒果然灵验了，噩运悄然来临，首演的巨大成功同时也带来了一宗又一宗的血腥命案，疯狂的杀手仿佛要和贝蒂展开一场残忍的游戏，凶手总是喜欢将贝蒂五花大绑，并安置了一个特殊的“眼部刑具”，迫使贝蒂亲眼目睹自己犯下的罪行，这彷佛能给凶手带来非比寻常的快感...
多年前两情相悦，女子心甘情愿交付一切，却遭男人始乱终弃，受尽屈辱、身败名裂。一朝重逢，那一夜的海浪声犹在耳边，女子复仇心切，为渣男量身打造一场又一场鸿门宴。娴熟布置温柔陷井，出神入化的厨艺先抓住他的胃，再锁住他的心，还要得到他的身体。食欲与爱欲交缠难分，步步为营难抵意乱情迷。
A man comes into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over his body.
民国初年，蚌家镇出现多起蚌神杀人案件，省警察局派纪鹤川为首几人到蚌家镇调查，调查中得到不相信蚌神诅咒事件的程悦瑶帮助。 几人调查过程中，从镇民阿秀口中得知，七天前与号称蚌仙转世的程家少爷配冥婚的新娘陆明月逃跑了。蚌神大怒，如果三天内不能和陆明月完成冥婚，加大对蚌家镇的惩罚，蚌家镇将永无宁日，人心惶惶……
影片讲述了准备参加试镜的演员张天被人迷晕，醒来后发现自己被困在一栋偏僻的别墅中。别墅里还住着几个看似毫无关系，却身份神秘的人，每天夜里张天都能听到奇怪的争吵，别墅里也怪事频发，甚至有人离奇死亡。就在男主张天在逐步找出幕后真凶的过程中，所有生者的疑点也在一步步加重。是诡异的灵异事件，还是凶手就隐藏在他们当中？
濒临破产的遛狗师沃克，为摆脱经济困境，接下富豪客户道格在偏远庄园的特殊遛狗工作。他发现，这份工作的对象并非普通宠物，而是一个以犬类身份完全生活的男人。尽管初时不适，沃克仍为高薪妥协，却逐渐在扭曲的主从关系中，被步步侵蚀身份、控制感与人性边界，在生存压力与自我认同的拉扯中，陷入无法挣脱的诡异漩涡。
跨性别女孩安娜逃离充满恐跨情绪的家乡，与姐姐达科塔在城市相依为命。她意外觉醒超能力，结识同具超能力的哥特纹身师珍，两人迅速相恋并互相学习控制能力。然而珍为音乐人丹尼纹制的蛇形纹身意外召唤恶魔，附身丹尼后开始吸食身边人的灵魂，安娜与珍必须联手运用能力对抗恶魔，守护彼此与身边人。
A fifteen-foot grizzly bear figures out that humans make for a tasty treat. As a park ranger tries rallying his men to bring about the bear's capture or destruction, his efforts are thwarted by the introduction of dozens of drunken hunters into the area.
一名网红远赴哥本哈根拍摄纪录片，记录自己的网络成名之路。然而一名偏执的跟踪狂开始窥探、追踪她的一举一动，她必须直面接踵而至的恐惧，夺回属于自己的掌控权。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
